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Jonas Hammerer
**auditory schism**
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Sound Installation & Intervention
1. Floor, servus Clubraum
Continuous
and
Live Performance
Sun, 8. Sept, 16:30 h
Also part of [[NOPE SOUND PERFORMANCES AND TALK]]
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**Portable four channel speaker device and embedded generative sound in supercollider.**
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**In //auditory schism// a concentric multichannel loudspeaker system is located in a room** and projects algorithmically generated sounds to investigate reflection behavior. The alternation between pulsating sounds, which provide a high degree of directional information, and stationary sinusoidal sounds, which are hard to localize, creates a dissociative and subjective experience, interpreting hearing as material.
**Hearing is never complete and varies from person to person.** The relationship to space is central, encompassing both architectural and introspective dimensions. Every hearing occurs somewhere and in relation to something. If we all hear differently, what makes hearing a shared experience? Where are the intersections and differences in this supposedly collaboratively constructed agreement?
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**The installation will be positioned at Stadtwerkstatt** over the entire period.
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**On Sunday, September 8th, at 4:30 PM,** there will be a live performance featuring it.
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Jonas Hammerer will also be present at [[NOPE SOUND PERFORMANCES AND TALK]].
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//**Jonas Hammerer**// lives and works in Vienna as a musician and sound artist. He has a background in landscape architecture and electroacoustic/experimental music. Currently, he is studying Postdigital Lutherie at the University of Art in Linz and is affiliated with the ÆSR Lab - Applied/Experimental Sound Research Laboratory as research assistant. In his artistic practice, he explores sound through process-oriented systems in performances, installations, and recordings.
auditory schism, Sound Installation & Intervention, 2024
https://hammererer.net/
https://soundcloud.com/jonashammerer
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**This project is part of the Tangible Music Club** - a pilot co-operation of the //Tangible Music Lab// and the //Stadtwerkstatt//. The //Tangible Music Club// aims to establish a network for sonic arts in Linz and to address the trend towards self-built electronic musical instruments and music controllers in the contemporary music and club scenes. The expertise of the Lab, the artists and the Stadtwerkstatt will be used to present projects and jointly promote new presentation formats for new soundscapes.
**About //Tangible Music Club// and the cooperation between the //Tangible Music Lab// and Stadtwerkstatt:** The //Tangible Music Lab// is an artistic research group at the Institute for Media at the University of Art and Design Linz. The interdisciplinary team experiments with the physical aspects of musical human-machine interaction. The Stadtwerkstatt / STWST has been an autonomous structure since 1979 and works in the areas of New Art Contexts, STWST Club and operates media channels and various public areas. In recent years in particular, STWST has promoted the concept of an anti-white cube.
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